Joyce Wieland

An unreleased diary film shot during the Fairleigh-Dickinson Artist Seminar simultaneous to the production of Back and Forth by Michael Snow.

Home movies shot on Super 8mm by W+B Hein over 10 years.

Ken Jacobs’s most elusive and mysterious film is at once an allegory of movie-making, a demonstration of 8mm versatility, and a celebration of...

A camera moves back and forth at an increasing pace. Back and forth, back and forth...

Joyce Wieland: “Hollis and I came back to Toronto on holiday in the summer of '67. We were staying at a friend's house. We worked our way...

Various unrelated vignettes, often juxtaposing sound and image.

The rising moon is the main theme in this short movie of three people and an animal going about their nocturnal rituals. This movie is evidently part...

Experimental short in which a camera pans quickly in a small apartment space; Disembodied voices speak of audience engagement.

A serendipitous encounter with a younger artist gives legendary Canadian art icon Michael Snow the opportunity to reflect on his life and career.

Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this...

"I decided to make a film at my kitchen table, there is nothing like knowing my table. The high art of the housewife. You take prisms, glass, lights...

In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary...

Zorns Lemma is a 1970 American structuralist film by Hollis Frampton. It is named after Zorn's lemma (also known as the Kuratowski–Zorn lemma),...

The movie takes a rather negative look at things despite the fact that it was shot in reversal film. It depicts the turbulent relationships of...

Considered one of Canada's most important women artists of the second half of the 20th century, Joyce Wieland's art embodies the essence of her...

The film consists primarily of degraded footage of landscapes shot from vehicles moving across the country; meanwhile, 537 computer-generated...

The film consists primarily of degraded footage of landscapes shot from vehicles moving across the country; meanwhile, 537 computer-generated...

The film consists primarily of degraded footage of landscapes shot from vehicles moving across the country; meanwhile, 537 computer-generated...

The film consists primarily of degraded footage of landscapes shot from vehicles moving across the country; meanwhile, 537 computer-generated...

The film consists primarily of degraded footage of landscapes shot from vehicles moving across the country; meanwhile, 537 computer-generated...

The film consists primarily of degraded footage of landscapes shot from vehicles moving across the country; meanwhile, 537 computer-generated...

A cutout of a woman's silhouette is displayed in many locations while a free jazz soundtrack is heard. The jazz musicians later pose for the camera...

A cat eats its methodical way through a polymorphous fish.

“This film is against the corporate military industrial structure of global village.”

A day at the Beach, at the Sea, at the Sky and at the Sailboats.

"The film [Birds at Sunrise] was originally photographed in 1972. Birds from my window were filmed during the winter, through to the spring, with the...

The film consists primarily of degraded footage of landscapes shot from vehicles moving across the country; meanwhile, 537 computer-generated...

Joyce Wieland: “Hollis and I came back to Toronto on holiday in the summer of '67. We were staying at a friend's house. We worked our way...

"I decided to make a film at my kitchen table, there is nothing like knowing my table. The high art of the housewife. You take prisms, glass, lights...

In a way a portrait of Dave Shackman with the American flag. The ending is a stop-motion animation of a set table with food moving and swirling and...

Patriotism, Part One depicts an army of phallic, bun-clad wieners marching on a vulnerable sleeping white male body, naked save for a sheet.

The film 1933 made between 1967 and 1968 offers a street scene shot in New York City in the late 1960s from a loft window on the second floor.

You see nothing but a white, crystal white plate, and water dripping into the plate, and you hear the sound of the water dripping. The film is ten...

Handtinting, a five-minute silent study of young girls dancing, swimming, and observing one another by Joyce Wieland, […] has a quality that...

About a strike in which women are involved, but told in a very different way.

Constructed from found and stock footage, Barbara’s Blindness is a meditation on vision and adversity, drawing humour and pathos from a...

We do not actually see Pierre Vallieres, we see only his lips, his teeth, as he talks in French. English subtitles translate what he says. He speaks...

Filmed in Joyce Wieland and Michael Snow’s loft in New York, the film covers a day of friends visiting, writing and drawing from noon of one...

One of Joyce Wieland's earliest works, shot in 8mm and finally blown-up to 16mm, “Larry’s Recent Behaviour” has been described by...

A young woman marries a wealthy man she isn't in love with, but finds romance instead with the couples' painter friend.

A study of poor Black and white girls at a Job Corps center, brought from rural areas to be “educated” in typing. Here you see displaced...

"The whole film are non-art portraits of people in which they do what they want with this hat – and therefore, act or stand in front of my...

First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in...

A young woman marries a wealthy man she isn't in love with, but finds romance instead with the couples' painter friend.

A young woman marries a wealthy man she isn't in love with, but finds romance instead with the couples' painter friend.