Kogonada

Filmmaker ::kogonada explores director Ingmar Bergman’s “Cries and Whispers," a film in three movements.

This new video essay by filmmaker Kogonada explores the many layers of director Francois Truffaut's masterpiece "Day for Night."

Of all the recurring signatures of Malick, his use of fire and water might be the most telling, in part because there’s a significant shift...

As is made abundantly clear by this highly entertaining supercut of Wes Anderson’s films, the creator of such modern classics as The Royal...

Filmmaker ::kogonada explores director Ingmar Bergman’s “Cries and Whispers," a film in three movements.

When his young daughter's beloved companion — an android named Yang — malfunctions, Jake searches for a way to repair him. In the...

A visual essay on the tactile world of Robert Bresson created for the Criterion Collection.

When his young daughter's beloved companion — an android named Yang — malfunctions, Jake searches for a way to repair him. In the...

Video Essay on King of the Hill

An imaginative tale of two strangers and the extraordinary emotional journey that connects them.

An imaginative tale of two strangers and the extraordinary emotional journey that connects them.

When a renowned architecture scholar falls suddenly ill during a speaking tour, his son Jin finds himself stranded in Columbus, Indiana - a small...

When a renowned architecture scholar falls suddenly ill during a speaking tour, his son Jin finds himself stranded in Columbus, Indiana - a small...

When a renowned architecture scholar falls suddenly ill during a speaking tour, his son Jin finds himself stranded in Columbus, Indiana - a small...

Reframes the school lunch debate through an examination of the program's surprising past, uncertain present, and possible future. Six kids from one...

In this brand new featurette, executive producer T Bone Burnett and the Coen brothers discuss the history of some of the songs that heard in Inside...

In this brand new featurette, executive producer T Bone Burnett and the Coen brothers discuss the history of some of the songs that heard in Inside...

Filmmaker ::kogonada explores director Ingmar Bergman’s “Cries and Whispers," a film in three movements.

This new video essay by filmmaker Kogonada explores the many layers of director Francois Truffaut's masterpiece "Day for Night."

This new video essay by filmmaker Kogonada explores the many layers of director Francois Truffaut's masterpiece "Day for Night."

Tarantino // From Below Music: Kaifuku Suru Kizu by Salyu

Filmmaker ::kogonada explores director Ingmar Bergman’s “Cries and Whispers," a film in three movements.

If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike other filmmakers identified as auteurs,...

Kogonada's visual essay about the formalistice choices of master filmmaker Stanley Kubrick

In the 1960s, pioneering French New Wave filmmaker Jean-Luc Godard introduced the world to a new cinematic lexicon, generated from his innovative,...

Kogonada’s video essay showcases the similarities of the multiple films Yasujiro Ozu made in his lifetime. Ozu created a genre of his own...

A visual essay that highlights top-down shots from Wes Anderson's filmography.

A visual essay that highlights top-down shots from Wes Anderson's filmography.

40,000 years in the making: Kogonada's video essay created for The Connected Series.

Kogonada's video essay made in conjunction with the release of Criterion Designs, a 300-page book, which features highlights from cover art...

40,000 years in the making: Kogonada's video essay created for The Connected Series.

This new video essay by filmmaker Kogonada explores the many layers of director Francois Truffaut's masterpiece "Day for Night."

Filmmaker Kogonada unpicks what defines the Golden Age of Italian cinema with a side-by-side comparison of two edits of the same film, one according...

When characters stare at the camera in the films of Alfred Hitchcock, the look is almost always associated with the threat of death (through the eyes...

Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman.

A video essay on how Andrei Tarkovsky’s Solaris transcends science fiction.

When characters stare at the camera in the films of Alfred Hitchcock, the look is almost always associated with the threat of death (through the eyes...

Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman.

A video essay on how Andrei Tarkovsky’s Solaris transcends science fiction.

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between...

The cinema of Koreeda Hirokazu is defined by moments of everyday life. Whatever potential there is for heightened drama – the suicide of a...

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between...

The cinema of Koreeda Hirokazu is defined by moments of everyday life. Whatever potential there is for heightened drama – the suicide of a...

"I wanted to write a fantasy with the atomic bomb as the theme." – Nobuhiko Obayashi

When his young daughter's beloved companion — an android named Yang — malfunctions, Jake searches for a way to repair him. In the...

Kogonada looks at how the motif of doors reverberates through Robert Bresson's work.

Sound in film is often complimentary. Rarely does it suggest an aesthetic of its own. The punctuating, rhythmic soundscapes of Aronofsky are the...

Of all the recurring signatures of Malick, his use of fire and water might be the most telling, in part because there’s a significant shift...

Tarantino // From Below Music: Kaifuku Suru Kizu by Salyu

In 1993, the original negatives of Satyajit Ray’s The Apu Trilogy were burned in a massive nitrate fire at a laboratory in London. Even though...

As is made abundantly clear by this highly entertaining supercut of Wes Anderson’s films, the creator of such modern classics as The Royal...

A visual essay for "La dolce vita," directed by Kogonada for the Criterion Collection.

A visual essay for "La dolce vita," directed by Kogonada for the Criterion Collection.