Robert Breer

A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.

Shot in 1974, Colliding was made as a portrait of sculptor/animator Robert Breer.

Burford met Breer in February 1992 and filmed his actions. Breer manipulates some of his mutoscopes: he leafs through some cards of his film in the...

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely...

Filmmaker Jonas Mekas films 160 underground film people over four decades.

Experimental filmmaker Pip Chodorov traces the course of experimental film in America, taking the very personal point of view of someone who grew up...

An experimental film in which a photograph of an airplane turns into a wire diagram, then into an animated plane in flight, and then it explodes into...

A record, of sorts, of the birth and death of Tinguely’s famous auto-destructive sculpture. Filmed on the spot at MoMA, this film also exploits...

Conceivably the best of all of Breer’s films to date – has more to do with figuration, according to Breer’s formulation regarding...

A live action footage of a smiling, bespectacled (presumably) Western tourist set against the familiar cadence of an accelerating train revving up as...

100 basic images switching positions for 4000 frames.

While birds can be heard singing a shrill song, lines crisscross wildly as if they aimed to form shapes. Their efforts seem hopeless until the very...

Cut-outs of war machines and the figure of Napoleon – contributors to an anti-war theme – encounter abstract shapes, line drawings,...

Breer's earliest experiments in animation are wonderfully dense yet lyrical abstractions based on Breer's own geometric paintings. - Harvard Film...

Breer was influenced by the new performance art and "happenings" making waves in the avant-garde of Europe and New York. He worked briefly with Claes...

"Made with spray paint and hand-cut stencils, this film was an attempt at maximum plastic intensity… Places Breer for the first time among the...

Breer's earliest experiments in animation are wonderfully dense yet lyrical abstractions based on Breer's own geometric paintings. - Harvard Film...

Featuring a commentary by Noël Burch (in nonsense French), Recreation's rapid-fire montage of single-frame images of incredible density and...

Breer’s animation explores the theme and variation of the drawn line: a line in constant movement and transformation. With a very sketchy...

Breer's extraordinary autobiographical film combines personal and family photos with intense colors, textures and geometric abstractions. Originally...

Robert Breer animation from 1969. 16mm, color, silent, using spray paint & stencils.

Abstract, quasi-geometric study in interrupted continuity.

A free flow from photography to geometric abstraction hand-painted by Breer. - Harvard Film Archive

Robert Breer’s What Goes Up... continues his “kitchen sink” approach of including as many different kinds of things as possible....

An elegant home movie, its subject is Breer's apartment which faces the Tappan Zee (T.Z.) Bridge. It is permeated, as are all his films, with subtle...

Utilising an apparently new-found obsession with the colour red and reinvigorating some of the circular imagery of A Man and His Dog Out for Air and...

An experiment in associative spontaneity.

An abstract view of a seacoast landscape, created by mixing original line drawings and rotoscoped imagery traced from live-action footage, presented...

Experimental film, in which against a black field, constantly changing coloured strips of paper cross the screen, meet each other and deflect at...

Personal photos are interspersed with fragmentary drawings and flashes of colour, observed and/or remembered everyday events - all of which add to a...

Breer's earliest experiments in animation are wonderfully dense yet lyrical abstractions based on Breer's own geometric paintings. - Harvard Film...

A collage film in which Pope Pious XII does a juggling act.

An anarchic collage of invention, Rubber Cement uses rotoscoped family footage together with found objects to create an almost free-form animation...

Sparkill Ave! combines still photos of Breer's home and environs with hand-drawn images of ordinary objects and scenes.

An animated fable centered around a backyard pond shown intermittently in live-action scenes.

An animated film dedicated to Breer's granddaughter Zoë.

A number of simple mechanical objects spiral out of a spray-paint nebula then implode into pure pattern and line.

"A concise, one-minute cartoon history of the black American, commissioned by the Public Broadcast Laboratory and shown on NET network." - Canyon...

Short hand drawn representation of a cat

Voted for in Sight & Sound's 2022 Greatest Films of All Time poll

First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in...

A woman with an umbrella, a frog and other easily recognizable creatures and objects are moved and transformed within an intricate orchestration of...

An endless loop of film composed entirely of disparate images. Through repetition, certain images isolate themselves from the flow reforming the...

Different stages of paintings made with ink. The ink fuses, spreads.

A short film by Robert Breer

A short film by Robert Breer

Documentation of an exhibition entitled Le Mouvement held in Paris in 1955, co-curated by Breer and Pontus Hulten. Features works and appearances by...