Ulay

“Before the eyes of all, at least of those present, the naked and direct exhibitions of the body take place with all its extensions; but the...

Television special of five episodes directed by Alfredo Di Laura dedicated to the exhibition "Attivo. Performance e Dibattiti" curated by Tommaso...

Ulay and Abramović take turns hitting each other in the face, gradually increasing speed and intensity with each blow. This performance is best...

Marina Abramovic's performance 'Relation in time', with her long time partner Ulay. "We are sitting back to back, tied together by our hair, without...

Ulay is fixed to a wall by a fixed rubber cord, while Marina stands at the limit of Ulay's expansion.

Ulay and Abramović are standing holding a double-sided mirror between their bodies.

"Naked we stand opposite each other in the museum entrance. The public entering the museum has to turn sideways to move through the limited space...

Balkan Baroque is a real and imaginary biography of the Yugoslavian performance artist Marina Abramovic. Rather than a mechanical reproduction of the...

Thirty years after their separation, performance artists Marina Abramović and Frank Uwe 'Ulay' Laysiepen (1943-2020) agree to meet, for the first...

For this performance the two artists blocked their nostrils with cigarette filters and pressed their mouths together, so that one couldn’t...

Marina: we even use our car in the performance, in '77, for the Paris Biennale in the front of the museum we made this piece called Relation In...

'Talking about Similarity' took place in Amsterdam, on November 30th, 1976. The performance, which lasted ca. 45 minutes, contains two parts that are...

In 'Expansion in Space' (1977, Dokumenta 6, Kassel), Ulay and Abramovic do not collide with each other, as they did in Relation in Space (1976), but...

In the first 58 minute Performance, Relation in Space, which took place in July 1976 at the Biennale in Venice, Abramovic/Ulay, both naked, walk...

In the twilight years of the Cultural Revolution, a Chinese filmmaker slowly becoming blind tours the country screening her last film to peasants. In...

The video tape shows the half-length portraits of Abramović and her husband Ulay standing opposite each other, looking at each other and producing a...

El camino entre dos puntos (The way between two points) investigates Patagonia’s tainted nature. Here, where throughout the 20th century ever...

The story of one of the most radical performances in art history told by German artist Ulay, who in 1976 decided to steal Hitler's favorite painting...

A documentation of the live Action Ulay performed in Berlin in 1976. It shows step by step his arranged "art theft" of Carl Spitzweg's painting "The...

Legendary couple in performance art – Marina Abramović and Ulay – lived together for 12 years and made pioneering work as a duo. In this...

Ulay and Abramovic draw a large bow and arrow, one holding each side. The arrowhead is pointing at Abramovic's heart. The slightest movement could be...

Ulay is a conceptual artist whose photography pushed boundaries, and whose love affair with Marina Abramovic produced some of the best pieces of...

Performance artist Marina Abramovic prepares for a major retrospective of her work at the Museum of Modern Art in New York.

Marina Abramovic's performance 'Relation in time', with her long time partner Ulay. "We are sitting back to back, tied together by our hair, without...

Ulay and Abramovic draw a large bow and arrow, one holding each side. The arrowhead is pointing at Abramovic's heart. The slightest movement could be...

Thirty years after their separation, performance artists Marina Abramović and Frank Uwe 'Ulay' Laysiepen (1943-2020) agree to meet, for the first...

Thirty years after their separation, performance artists Marina Abramović and Frank Uwe 'Ulay' Laysiepen (1943-2020) agree to meet, for the first...

Ulay and Abramović take turns hitting each other in the face, gradually increasing speed and intensity with each blow. This performance is best...

For this performance the two artists blocked their nostrils with cigarette filters and pressed their mouths together, so that one couldn’t...

Marina: we even use our car in the performance, in '77, for the Paris Biennale in the front of the museum we made this piece called Relation In...

'Talking about Similarity' took place in Amsterdam, on November 30th, 1976. The performance, which lasted ca. 45 minutes, contains two parts that are...

The starting point of Kaiserschnitt is a triangular construction. A horse stands in the centre of a large space, tied to a rope. Ulay and Abramovic...

When the speed and the spinning becomes too much for them, they let go and collapse..

Ulay and Abramovic face each other in a kneeling position, and take turns to slap each other hard in the face. Due to the strong light shining onto...

In 'Expansion in Space' (1977, Dokumenta 6, Kassel), Ulay and Abramovic do not collide with each other, as they did in Relation in Space (1976), but...

Serbian artist Marina Abramovic is lying on her back on the floor and screaming until her voice is lost.

In the twilight years of the Cultural Revolution, a Chinese filmmaker slowly becoming blind tours the country screening her last film to peasants. In...

An "unedited video notebook" that documents Marina Abramovic and Ulay's journey to the Great Wall of China in preparation for their final...

Documents four of Abramovic's solo works, exercises in which her body is the vehicle for a rigorous testing of the self — violently brushing...

In the first 58 minute Performance, Relation in Space, which took place in July 1976 at the Biennale in Venice, Abramovic/Ulay, both naked, walk...

‘Freeing the Memory’ is the second of three significant performances enacted in 1976 in which Marina Abramović attempted to achieve a...

Combining video, performance art, documentary, and tableau vivant, this short piece set in what appears to be part of the Ayutthaya Ruins in Bangkok,...

Marina Abramović Freeing the Body was performed at the Künstlerhaus Bethanien in Kreuzberg, where Abramović began dancing frantically to the...

Ulay and Abramović are standing holding a double-sided mirror between their bodies.

Ulay is fixed to a wall by a fixed rubber cord, while Marina stands at the limit of Ulay's expansion.

El camino entre dos puntos (The way between two points) investigates Patagonia’s tainted nature. Here, where throughout the 20th century ever...

A documentation of the live Action Ulay performed in Berlin in 1976. It shows step by step his arranged "art theft" of Carl Spitzweg's painting "The...

A documentation of the live Action Ulay performed in Berlin in 1976. It shows step by step his arranged "art theft" of Carl Spitzweg's painting "The...

The story of one of the most radical performances in art history told by German artist Ulay, who in 1976 decided to steal Hitler's favorite painting...

"Naked we stand opposite each other in the museum entrance. The public entering the museum has to turn sideways to move through the limited space...

Ulay and Abramovic draw a large bow and arrow, one holding each side. The arrowhead is pointing at Abramovic's heart. The slightest movement could be...