Vito Acconci

Vito Acconci

Vito Acconci (January 24, 1940 – April 27, 2017) was an American performance, video and installation artist, whose diverse practice eventually included sculpture, architectural design, and landscape design. His performance and video art was characterized by "existential unease," exhibitionism, discomfort, transgression and provocation, as well as wit and audacity, and often involved crossing boundaries such as public–private, consensual–nonconsensual, and real world–art world. His work is considered to have influenced artists including Laurie Anderson, Karen Finley, Bruce Nauman, and Tracey Emin, among others. Acconci was initially interested in radical poetry, creating 0 to 9 Magazine, but by the late 1960s he began creating Situationist-influenced performances in the street or for small audiences that explored the body and public space. Two of his most famous pieces were Following Piece (1969), in which he selected random passersby on New York City streets and followed them for as long as he was able, and Seedbed (1972), in which he claimed that he masturbated while under a temporary floor at the Sonnabend Gallery, as visitors walked above and heard him speaking. In the late-1970s, he turned to sculpture, architecture and design, greatly increasing the scale of his work, if not his art world profile. Over the next two decades he developed public artworks and parks, airport rest areas, artificial islands and other architectural projects that frequently embraced participation, change and playfulness. Notable works of this period include: Personal Island, designed for Zwolle, the Netherlands (1994); Walkways Through the Wall at the Wisconsin Center, in Milwaukee, WI (1998); and Murinsel, for Graz, Austria (2003). Retrospectives of Acconci's work have been organized by the Stedelijk Museum in Amsterdam (1978) and the Museum of Contemporary Art, Chicago (1980), and his work is in numerous public collections, including those of the Museum of Modern Art and Whitney Museum of American Art. He has been recognized with fellowships from the National Endowment for the Arts (1976, 1980, 1983, 1993), John Simon Guggenheim Memorial Foundation (1979), and American Academy in Rome (1986).[6] In addition to his art and design work, Acconci taught at many higher learning institutions. Acconci died on April 27, 2017, in Manhattan at age 77.

  • Title: Vito Acconci
  • Popularity: 0.549
  • Known For: Directing
  • Birthday: 1940-01-24
  • Place of Birth: New York City, New York, USA
  • Homepage:
  • Also Known As:
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Vito Acconci Movies

  • 2006
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    You're Going to Die!

    You're Going to Die!

    1 2006 HD

    "You’re Going to Die!" is a children’s story exploring one simple idea ad nauseum bonum. This video treatment by Dennis Palazzolo adapts...

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  • 2008
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    Chelsea on the Rocks

    Chelsea on the Rocks

    5.7 2008 HD

    Chelsea on the Rocks celebrates the personalities and artistic voices that have emerged from New York’s legendary Chelsea Hotel. Once...

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  • 1999
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    Steven Holl: The Body in Space

    Steven Holl: The Body in Space

    1 1999 HD

    "Steven Holl: The Body in Space" explores the career of the innovative, highly renowned American architect. In this portrait Holl presents some of...

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  • 2016
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    Burden

    Burden

    5.9 2016 HD

    A probing portrait of Chris Burden, an artist who took creative expression to the limits and risked his life in the name of art.

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  • 1981
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    How to Fly

    How to Fly

    1 1981 HD

    With HOW TO FLY, Bowes abandoned plot entirely, finding other forms of structure. He wanted to show that stories do not have to obsessively organize...

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  • 1980
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    Journeys from Berlin/1971

    Journeys from Berlin/1971

    9 1980 HD

    An epic meditation on psychoanalysis, the Baader-Meinhof, feminism, and pre-revolutionary Russia.

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  • 1972
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    Seedbed

    Seedbed

    1 1972 HD

    “In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he...

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  • 2013
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    Revenge of the Mekons

    Revenge of the Mekons

    7 2013 HD

    Documentary about the Mekons.

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  • 1972
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    Undertone

    Undertone

    1 1972 HD

    "In this now infamous tape, exemplary of his early transgressive performance style, Acconci sits and relates a masturbatory fantasy about a girl...

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  • 1971
    imgMovies

    Centers

    Centers

    1 1971 HD

    Poet and artist Vito Acconci points his finger towards the camera and his own reflection in an offscreen video monitor.

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  • 1971
    imgMovies

    Pryings

    Pryings

    1 1971 HD

    A documentation of a live performance at New York University, Pryings is a graphic exploration of the physical and psychological dynamics of...

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  • 1970
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    Digging Piece

    Digging Piece

    1 1970 HD

    Standing alone among beach dunes, Acconci begins to kick at the sand below him. Over the course of the film's ten minutes, this repeated action...

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  • 1970
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    Flour/Breath Piece

    Flour/Breath Piece

    1 1970 HD

    The artist, covered in flour, tries to blow the flour off his skin.

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  • 1970
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    Two Takes

    Two Takes

    1 1970 HD

    Acconci oftens performs controlled actions as if he had entered into a contractual agreement to test his physical limitations. In Grass/Mouth,...

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  • 1970
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    Gargle/Spit Piece

    Gargle/Spit Piece

    1 1970 HD

    The artist, sitting naked, takes water from a pot into his mouth and gargles; he spits it out onto his stomach and groin, transferring the water from...

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  • 1971
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    Conversions 1

    Conversions 1

    1 1971 HD

    In these three exercises, Acconci plays with trans-gender illusions, manipulating and altering his own body parts to suggest sexual transformations.

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  • 1970
    imgMovies

    Three Adaptation Studies

    Three Adaptation Studies

    1 1970 HD

    Three-part short film. In 'Blindfold Catching', a blindfolded Acconci reacts, flinching and lunging, as rubber balls are repeatedly thrown at him...

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  • 1971
    imgMovies

    Remote Control

    Remote Control

    1 1971 HD

    The two-channel piece Remote Control is an exercise in manipulation and control between artist and subject, male and female. On separate channels,...

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  • 1971
    imgMovies

    Claim Excerpts

    Claim Excerpts

    1 1971 HD

    A documentation of one of Acconci's most notorious performances, Claim Excerpts is a highly confrontational work, an exercise in self-induced,...

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  • 1971
    imgMovies

    Association Area

    Association Area

    1 1971 HD

    This early performance tape is an example of what Acconci has termed his "quasi-ESP exercises," in which he explores mental concentration and...

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  • 1974
    imgMovies

    My Word

    My Word

    1 1974 HD

    In this feature-length silent film, Acconci uses hand-written title cards to present an "interior monologue" about speaking, language, and silence....

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  • 1974
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    Turn-On

    Turn-On

    1 1974 HD

    The back of Acconci's head is seen in tight close-up. He hums to himself, first lyrically, then aggressively, violently. Suddenly he wheels around to...

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  • 1973
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    Willoughby Sharp Videoviews Vito Acconci

    Willoughby Sharp Videoviews Vito Acconci

    1 1973 HD

    This early document is a videotaped interview ("videoview") of Vito Acconci by Willoughby Sharp during which they discuss Acconci's development as an...

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  • 1977
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    The Red Tapes

    The Red Tapes

    1 1977 HD

    A three-part video epic in which avant-garde artist Vito Acconci explores the relationship between the self and national mythology. Through multiple...

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  • 1981
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    14 Americans: Directions of the 1970s

    14 Americans: Directions of the 1970s

    1 1981 HD

    The multiple means of making art after the end of illusionism led these artists to create performances, sculptures, earthworks, tableaux, furniture,...

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  • 1991
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    The Golden Boat

    The Golden Boat

    6.1 1991 HD

    Inspired in form by American police TV shows and soap operas, The Golden Boat is a madcap, surreal dash through the streets of New York city, telling...

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  • 2009
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    The Art of Time

    The Art of Time

    1 2009 HD

    Explores some of the most innovative attempts by contemporary artists, filmmakers, architects etc to explore multiple Temporalities and to counter...

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  • 1970
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    See Through

    See Through

    1 1970 HD

    "Acconci spars with his close-up image in a mirror. He then breaks the mirror, destroying his image." - Electronic Arts Intermix

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  • 1972
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    Seedbed

    Seedbed

    1 1972 HD

    “In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he...

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  • 1972
    imgMovies

    Undertone

    Undertone

    1 1972 HD

    "In this now infamous tape, exemplary of his early transgressive performance style, Acconci sits and relates a masturbatory fantasy about a girl...

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  • 1973
    imgMovies

    Theme Song

    Theme Song

    1 1973 HD

    In Theme Song, Acconci uses video as close-up to establish a perversely intimate relation with the viewer, creating a personal space in which to talk...

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  • 1971
    imgMovies

    Centers

    Centers

    1 1971 HD

    Poet and artist Vito Acconci points his finger towards the camera and his own reflection in an offscreen video monitor.

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  • 1971
    imgMovies

    Centers

    Centers

    1 1971 HD

    Poet and artist Vito Acconci points his finger towards the camera and his own reflection in an offscreen video monitor.

    img
  • 1971
    imgMovies

    Centers

    Centers

    1 1971 HD

    Poet and artist Vito Acconci points his finger towards the camera and his own reflection in an offscreen video monitor.

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  • 1973
    imgMovies

    Face-Off

    Face-Off

    1 1973 HD

    Face-Off is an ironic collusion of private and public, of exposure and masking, a tense ritual wherein Acconci divulges and then censors his...

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  • 1972
    imgMovies

    Seedbed

    Seedbed

    1 1972 HD

    “In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he...

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  • 1970
    imgMovies

    Applications

    Applications

    1 1970 HD

    A woman kisses Acconci's body, covering him in red lipstick traces. Acconci then rubs his body against another man (Dennis Oppenheim), transferring...

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  • 1970
    imgMovies

    Three Adaptation Studies

    Three Adaptation Studies

    1 1970 HD

    Three-part short film. In 'Blindfold Catching', a blindfolded Acconci reacts, flinching and lunging, as rubber balls are repeatedly thrown at him...

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  • 1971
    imgMovies

    Pryings

    Pryings

    1 1971 HD

    A documentation of a live performance at New York University, Pryings is a graphic exploration of the physical and psychological dynamics of...

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  • 1974
    imgMovies

    Open Book

    Open Book

    1 1974 HD

    Acconci's open mouth is framed by the camera in an extreme close-up, bringing the viewer uncomfortably close. A desperate sense of strained urgency...

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  • 1971
    imgMovies

    Two Track

    Two Track

    1 1971 HD

    In Two Track, Acconci experiments with direct and peripheral perception of information in the context of communication and interaction. He sits with...

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  • 1971
    imgMovies

    Remote Control

    Remote Control

    1 1971 HD

    The two-channel piece Remote Control is an exercise in manipulation and control between artist and subject, male and female. On separate channels,...

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  • 1971
    imgMovies

    Association Area

    Association Area

    1 1971 HD

    This early performance tape is an example of what Acconci has termed his "quasi-ESP exercises," in which he explores mental concentration and...

    img
  • 1971
    imgMovies

    Claim Excerpts

    Claim Excerpts

    1 1971 HD

    A documentation of one of Acconci's most notorious performances, Claim Excerpts is a highly confrontational work, an exercise in self-induced,...

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  • 2007
    imgMovies

    Seven Easy Pieces

    Seven Easy Pieces

    2 2007 HD

    For Seven Easy Pieces Marina Abramovic reenacted five seminal performance works by her peers, dating from the 1960's and 70's, and two of her own,...

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  • 1971
    imgMovies

    Conversions 1

    Conversions 1

    1 1971 HD

    In these three exercises, Acconci plays with trans-gender illusions, manipulating and altering his own body parts to suggest sexual transformations.

    img
  • 1974
    imgMovies

    My Word

    My Word

    1 1974 HD

    In this feature-length silent film, Acconci uses hand-written title cards to present an "interior monologue" about speaking, language, and silence....

    img
  • 1974
    imgMovies

    My Word

    My Word

    1 1974 HD

    In this feature-length silent film, Acconci uses hand-written title cards to present an "interior monologue" about speaking, language, and silence....

    img
  • 1974
    imgMovies

    Turn-On

    Turn-On

    1 1974 HD

    The back of Acconci's head is seen in tight close-up. He hums to himself, first lyrically, then aggressively, violently. Suddenly he wheels around to...

    img
  • 1977
    imgMovies

    The Red Tapes

    The Red Tapes

    1 1977 HD

    A three-part video epic in which avant-garde artist Vito Acconci explores the relationship between the self and national mythology. Through multiple...

    img
  • 1969
    imgMovies

    Three Attention Studies

    Three Attention Studies

    1 1969 HD

    In 'Looking Around Piece', the performer stands before a fixed camera, which records his eye and head movements as he follows a moving object outside...

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  • 1970
    imgMovies

    Digging Piece

    Digging Piece

    1 1970 HD

    Standing alone among beach dunes, Acconci begins to kick at the sand below him. Over the course of the film's ten minutes, this repeated action...

    img
  • 1970
    imgMovies

    Flour/Breath Piece

    Flour/Breath Piece

    1 1970 HD

    The artist, covered in flour, tries to blow the flour off his skin.

    img
  • 1970
    imgMovies

    Two Takes

    Two Takes

    1 1970 HD

    Acconci oftens performs controlled actions as if he had entered into a contractual agreement to test his physical limitations. In Grass/Mouth,...

    img
  • 1970
    imgMovies

    Gargle/Spit Piece

    Gargle/Spit Piece

    1 1970 HD

    The artist, sitting naked, takes water from a pot into his mouth and gargles; he spits it out onto his stomach and groin, transferring the water from...

    img
  • 1970
    imgMovies

    Openings

    Openings

    1 1970 HD

    Acconci's body-based performances are often willfully provocative in their testing of physical limits and controlled actions. Here, as the camera...

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  • 1974
    imgMovies

    Shoot

    Shoot

    1 1974 HD

    Acconci imitates the sounds of war, gunfire and explosion; he thrusts his face, stomach or penis onto the screen. His childlike battle sounds are...

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  • 1974
    imgMovies

    Face of the Earth

    Face of the Earth

    1 1974 HD

    In Face of the Earth, Acconci's face becomes a metaphorical theater for a narrative drama of the mythic American landscape. Eyes closed, his face...

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  • 1971
    imgMovies

    Waterways (Burst; Storage)

    Waterways (Burst; Storage)

    1 1971 HD

    Using extreme close-ups and amplified sound to force the viewer into the space of his body, he experiments with his mouth as a container for saliva,...

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  • 1972
    imgMovies

    Anchors

    Anchors

    1 1972 HD

    A super-8mm work documenting Acconci's audio installation piece in the Sonnabend gallery in 1972 of the same name.

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  • 1972
    imgMovies

    Go Between

    Go Between

    1 1972 HD

    A super-8mm short by Vito Acconci

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  • 1972
    imgMovies

    Hand to Hand

    Hand to Hand

    1 1972 HD

    "In another exploration of nonverbal communication, the camera moves back and forth, each time catching one of Acconci's hands in an expressive...

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  • 1972
    imgMovies

    Face to Face

    Face to Face

    1 1972 HD

    "In this exercise in nonverbal communication, Acconci explores facial expressions, and their psychological resonance, as a mode of performance...

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  • 1971
    imgMovies

    Breath In (To) / Out (Of)

    Breath In (To) / Out (Of)

    1 1971 HD

    The screen is empty: the artist stands off-screen — he breathes in and out, his stomach moving into and out of the frame.

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  • 1971
    imgMovies

    Directions

    Directions

    1 1971 HD

    A super-8mm document (blown up to 16mm) of Acconci's performance of the same name where he laid flat on his stomach blindfolded on a wood platform in...

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  • 1971
    imgMovies

    Training Ground

    Training Ground

    1 1971 HD

    A super-8mm document (blown up to 16mm) of Acconci's performance of the same name in which he covered almost the entirety of the gallery space with a...

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  • 1971
    imgMovies

    Watch

    Watch

    1 1971 HD

    Acconci's face is seen in close-up. His eyes trace, in real time, the movement of the hands of an off-screen clock.

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  • 1972
    imgMovies

    Cross-Fronts

    Cross-Fronts

    1 1972 HD

    A super-8mm short from Vito Acconci

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  • 1970
    imgMovies

    Concentration/Contemplation Piece

    Concentration/Contemplation Piece

    1 1970 HD

    A three and a half minute Super-8mm piece on concentration/contemplation by Vito Acconci.

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  • 1970
    imgMovies

    Filling Up Space

    Filling Up Space

    1 1970 HD

    "A view of a brick wall: the artist enters and walks from one side to the other, back and forth, row after row." - Electronic Arts Intermix

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  • 1970
    imgMovies

    Rubbings

    Rubbings

    1 1970 HD

    "Acconci caresses his torso, then crushes cockroaches into his stomach and rubs them into his skin." - Electronic Arts Intermix

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  • 1970
    imgMovies

    Two Cover Studies

    Two Cover Studies

    1 1970 HD

    "In Scene Steal, Acconci, fully clothed, tries to shield a nude woman from the camera. In Container, he wraps his nude body around a cat as if to...

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  • 1970
    imgMovies

    Lick

    Lick

    1 1970 HD

    A five minute super-8mm short from Vito Acconci

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  • 1973
    imgMovies

    Air Time

    Air Time

    1 1973 HD

    Super-8mm footage documenting the gallery set-up for Acconci's exhibition AIR-TIME at Sonnabend Gallery in 1973.

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  • 1970
    imgMovies

    Break-Through

    Break-Through

    1 1970 HD

    "Super-8 camera held out before him as shield and surrogate, Acconci pushes through a landscape of dense reeds and overgrowth. Break-Through records...

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  • 1970
    imgMovies

    Three Frame Studies

    Three Frame Studies

    1 1970 HD

    "In one of his earliest films, Acconci performs a series of actions — running in a circle, jumping, pushing another man — in which the...

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  • 1970
    imgMovies

    Corrections

    Corrections

    1 1970 HD

    "Unavailable until recently, Corrections is Acconci's first single-channel video. Back to the camera, with only his head and bare shoulders visible,...

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  • 1970
    imgMovies

    Run Off

    Run Off

    1 1970 HD

    A ten minute super-8mm work from 1970 by Vito Acconci.

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  • 1970
    imgMovies

    Seeing Red

    Seeing Red

    1 1970 HD

    Vito Acconci chokes himself with a white cloth multiple times, his face turns red.

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  • 1973
    imgMovies

    Walk-Over

    Walk-Over

    1 1973 HD

    "A long narrow corridor, leading to the camera—at one side, a window—sun streams in, splotches of light and dark, the corridor shimmers....

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  • 1973
    imgMovies

    Visions of a Disappearance

    Visions of a Disappearance

    1 1973 HD

    "Visions of a Disappearance is a newly restored performance tape that was recorded in Naples, Italy, in 1973. Crouched in a corner, hemmed in by the...

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  • 1973
    imgMovies

    Reception Room

    Reception Room

    1 1973 HD

    Acconci lies naked on a gurney-like table, rocking back and forth as a tape-loop of his voice describes his anxieties about exposing his body and his...

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  • 1973
    imgMovies

    Recording Studio From Air Time

    Recording Studio From Air Time

    1 1973 HD

    "Recording Studio From Air Time is a personal confessional in which video is both a mirror and a mediating device. Alone in an "isolation chamber" in...

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  • 1973
    imgMovies

    Command Performance

    Command Performance

    1 1973 HD

    Torn over the pressure to perform for his audience, Acconci fantasizes about "a dancing bear" who takes his place, performing in the spotlight, doing...

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  • 1971
    imgMovies

    Conversions 3

    Conversions 3

    1 1971 HD

    The final installment of the Conversions trilogy.

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  • 1971
    imgMovies

    Conversions 2

    Conversions 2

    1 1971 HD

    In Conversions II, the second in a trilogy of films interrogating the rigidity of gender binarism, the artist attempts to feminize his unquestionably...

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  • 1974
    imgMovies

    Full Circle

    Full Circle

    1 1974 HD

    "I walk in a circle around the camera: sometimes I'm on screen, sometimes I'm off, sometimes I change direction, leaving the screen on one side and...

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  • 1970
    imgMovies

    Clouds

    Clouds

    1 1970 HD

    Vito Acconci

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  • 1970
    imgMovies

    Three Relationship Studies

    Three Relationship Studies

    1 1970 HD

    In the late 1960s, Vito Acconci abandoned poetry in order to work with the body and its relationship with space, although he did retain a commitment...

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  • 1971
    imgMovies

    Contacts

    Contacts

    1 1971 HD

    Contacts is one of a series of tapes in which Acconci creates a controlled performance situation to explore the limits of a private space. Applying...

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  • 1970
    imgMovies

    Open-Close

    Open-Close

    1 1970 HD

    In this performance based tape, Acconci uses his body to explore notions of opening and closure.

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